- University of Tennessee
- Yvonne Braithwaite Burk
- Daniel McCree
- William B. Purvis
- Lloyd Augustus Hall
- Charles Richard Drew
Josephine St. Pierre Ruffin addresses 1st Nat’l Conference of Colored Women
First States to Abolish Slavery
Slavery declared unlawful in British Empire
Selma Freedom March
Sheridan Broadcasting Corp.
16th Street Baptist Church bombing
National Negro Business League
Kelly Miller – 1st Black Math Grad
Philemon T. Reid
Voting Rights Act – 1965
- Maysa – Blue Velvet Soul
- Yellowjackets – A Rise in the Road
- Larry Corban – The Circle Starts Here
- Bobby McFerrin – Spirityouall
- Brandon Bernstein – But Beautiful
- Mavis Staples – One True Vine
- Christian McBride and Inside Straight – People Music
- Glenn Cashman’s Southland Nonet – Music Without Borders
- Robin Bessier – Other Side of Forever
- George Duke – Dreamweaver
- Pablo Ablanedo Octet – ReContraDoble
- Booker T – Sound The Alarm
- Matt Herskowitz – Upstairs
- Dave Koz and Friends – Summer Horns
- George Benson – Inspiration (A Tribute To Nat King Cole)
Amiri Baraka, born in 1934, in Newark, New Jersey, USA, is the author of over 40 books of essays, poems, drama, and music history and criticism, a poet icon and revolutionary political activist who has recited poetry and lectured on cultural and political issues extensively in the USA, the Caribbean, Africa, and Europe.
With influences on his work ranging from musical orishas such as Ornette Coleman, John Coltrane, Thelonius Monk, and Sun Ra to the Cuban Revolution, Malcolm X and world revolutionary movements, Baraka is renowned as the founder of the Black Arts Movement in Harlem in the 1960s that became, though short-lived, the virtual blueprint for a new American theater aesthetics.
The movement and his published and performance work, such as the signature study on African-American music, Blues People (1963) and the play Dutchman (1963) practically seeded “the cultural corollary to black nationalism” of that revolutionary American milieu.
Other titles range from Selected Poetry of Amiri Baraka/LeRoi Jones (1979), to The Music (1987), a fascinating collection of poems and monographs on Jazz and Blues authored by Baraka and his wife and poet Amina, and his boldly sortied essays, The Essence of Reparations (2003).
He has been the subject of numerous documentary films including Mario Van Peeble’s Poetic Licensefor The Sundance Channel and St. Clair Bourne’s In Motion: Amiri Baraka. He has also appeared in dozens of films including, most recently, M.K. Asante, Jr’s award-winning documentary The Black Candle.
The Essence of Reparations is Baraka’s first published collection of essays in book form radically exploring what is sure to become a twenty-first century watershed movement of Black peoples to the interrelated issues of racism, national oppression, colonialism, neo-colonialism, self-determination and national and human liberation, which he has long been addressing creatively and critically. It has been said that Amiri Baraka is committed to social justice like no other American writer. He has taught at Yale, Columbia, and the State University of New York at Stony Brook.
Somebody Blew Up America & Other Poems is Baraka’s first collection of poems published in the Caribbean and includes the title poem that has headlined him in the media in ways rare to poets and authors. The recital of the poem “that mattered” engaged the poet warrior in a battle royal with the very governor of New Jersey and with a legion of detractors demanding his resignation as the state’s Poet Laureate because of Somebody Blew Up America’s provocatively poetic inquiry (in a few lines of the poem) about who knew beforehand about the New York City World Trade Center bombings in 2001.
The poem’s own detonation caused the author’s photo and words to be splashed across the pages of New York’s Amsterdam News and the New York Times and to be featured on CNN–to name a few US city, state and national and international media.
Baraka lives in Newark with his wife and author Amina Baraka; they have five children and head up the word-music ensemble, Blue Ark: The Word Ship and co-direct Kimako’s Blues People, the “artspace” housed in their theater basement for some fifteen years.
His awards and honors include an Obie, the American Academy of Arts & Letters award, the James Weldon Johnson Medal for contributions to the arts, Rockefeller Foundation and National Endowment for the Arts grants, Professor Emeritus at the State university of New York at Stony Brook, and the Poet Laureate of New Jersey.