The Harlem Renaissance was an intellectual, social, and artistic explosion centered in Harlem, Manhattan, New York City, spanning the 1920s. At the time, it was known as the “New Negro Movement”, named after The New Negro, a 1925 anthology edited by Alain Locke. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by the Great Migration, of which Harlem was the largest.

Though it was centered in the Harlem neighborhood, many francophone black writers from African and Caribbean colonies who lived in Paris were also influenced by the movement,which spanned from about 1918 until the mid-1930s. Many of its ideas lived on much longer. The zenith of this “flowering of Negro literature”, as James Weldon Johnson preferred to call the Harlem Renaissance, took place between 1924—when Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance—and 1929, the year of the stock-market crash and the beginning of the Great Depression. The Harlem Renaissance is considered to have been a rebirth of the African-American arts.

The First black Masonic Lodge

The First black Masonic Lodge was founded at Prince Hall, Boston, in 1787.  It was named after Prince Hall, who is recognized as the Father of Black Masonry in the United States. He made it possible for African Americans to also be recognized and enjoy all privileges of Free and Accepted Masonry.

Many rumors of the birth of Prince Hall have arisen. Few records and papers have been found of him either in Barbados where it was rumored that he was born, but no record of birth, by church or state, has been found there, and none in Boston. All 11 countries of the day were searched and churches with baptismal records were examined without a find of the name of Prince Hall.  Continue reading →