Lucy Terry

Married name LUCY PRINCE, also called BIJAH’S (ABIJAH’S) LUCE, or LUCE (LUCY) ABIJAH (b. 1730, West Africa–d. 1821, Vermont, U.S.), American poet, storyteller, and activist of the colonial and postcolonial period. Her only surviving work, the poem “Bars Fight” (1746), is the earliest existing poem by an African-American; it was transmitted orally for more than 100 years, first appearing in print in 1855. Consisting of 28 lines in irregular iambic tetrameter, the poem commemorates white settlers who were killed in an encounter with Indians in 1746.

Born in Africa, Terry was taken by slave traders to Rhode Island at a very young age. She was baptized a Christian at age five, with the approval of her owner, Ebenezer Wells of Deerfield, Mass.; she became a full church member in 1744.  Continue reading →

Charlie ‘Bird’ Parker

Charlie Parker was one of the most influential improvising soloists in jazz, and a central figure in the development of bop in the 1940s. A legendary figure in his own lifetime, he was idolized by those who worked with him, and he inspired a generation of jazz performers and composers.

Parker was the only child of Charles and Addle Parker. In 1927, the family moved to Kansas City, Missouri, an important center of African-American music in the 1920s and 1930s. Parker had his first music lessons in the local public schools; he began playing alto saxophone in 1933 and worked occasionally in semi-professional groups before leaving school in 1935 to become a full-time musician.  Continue reading →

Amiri Baraka
(formerly LeRoi Jones)

Amiri Baraka, born in 1934, in Newark, New Jersey, USA, is the author of over 40 books of essays, poems, drama, and music history and criticism, a poet icon and revolutionary political activist who has recited poetry and lectured on cultural and political issues extensively in the USA, the Caribbean, Africa, and Europe.

With influences on his work ranging from musical orishas such as Ornette Coleman, John Coltrane, Thelonius Monk, and Sun Ra to the Cuban Revolution, Malcolm X and world revolutionary movements, Baraka is renowned as the founder of the Black Arts Movement in Harlem in the 1960s that became, though short-lived, the virtual blueprint for a new American theater aesthetics.  Continue reading →