Jelly Roll Morton

1885?1941, Originally named Ferdinand Joseph La Menthe, b. Gulfport, La. He began studying piano as a child and in his youth was a pianist in the colorful Storyville district of New Orleans. Later he played with Johnny Dodds, Baby Dodds, Kid Ory, Barney Bigard, and other noted jazz musicians, but his popularity severely declined in the 1930s. Although Morton is regarded by many as the greatest New Orleans pianist, his egocentricity, moodiness, and quarrelsome disposition led many musicians and critics to disparage him. His compositions and arrangements, many of which reflect his Creole background, include Dead Man Blues, Jelly Roll Blues, King Porter Stomp, Mama Nita, Mamie’s Blues (or 219 Blues), Moi pas l’aimez

Romare Bearden

1914 ? 1988
b. Charlotte, N.C. Bearden grew up in Harlem and, in his work, has attempted to come to terms with the experience of blacks in America. Although his early work involved religious themes, his later production showed a greater connection with jazz and its relation to the art of collage. He is also noted for his prints in a variety of media, e.g., the lithographs in ?Jazz Series? (1979). In the 1960s, he was a founder of the Cinque Gallery, which was intended to help young artists, and the Spiral Group, which aided African-American artists. His work is represented in many major museums.

Howard Finster

1927-2001. Baptist preacher and prolific folk artist known as much for his outsized personality as for his sculpture made out of trash. He won wide recognition for his Paradise Garden, a two-and-a-half acre gallery of works created out of detritus. He also played the banjo on Johnny Carson’s Tonight Show and designed album covers for the Talking Heads and R.E.M.

Horace Pippin

1888 – 1946
b. West Chester, Pa. He worked as a porter, peddler, and warehouseman and never studied art. He was severely wounded in World War I. The naive fervor and bold design of his painting brought him recognition in the 1930s. Although his output amounted to less than 150 oils, drawings, and wood panels, he is one of the most widely acclaimed of America’s ?primitive? artists and was the subject of a major retrospective in 1994. Among his works in public collections are Self-Portrait (Albright-Knox Art Gall., Buffalo, N.Y.); Suppertime (Barnes Foundation, Merion, Pa.); and End of the War (Philadelphia Mus. of Art).

James Van Der Zee

1886 ? 1983
b. Lenox, Mass. The son of Ulysses S. Grant’s maid and butler, Van Der Zee opened his first studio in Harlem, New York City, in 1915. For 60 years, working in obscurity, he made a visual record of Harlem life unsurpassed in scope and detail. In 1967 the Metropolitan Museum of Art discovered Van Der Zee’s remaining 40,000 prints and negatives and displayed many of them in its ?Harlem on My Mind? exhibit (1969).

Dorothy West

1907 – 1998
A member of the Harlem Renaissance during the 1920s, West was a keen observer of class and race conflicts. Recently, her novel The Wedding, was turned into a miniseries by Oprah Winfrey and starred actress Halle Berry.